Techniques and Tips

Easel Position to Subject

Easel Position to Subject

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A question from Lisa Stauffer, “When you work outside, how do you position your easel to the subject?”

Thanks for the question. The most important thing that governs my easel subject placement is “Dominant Body Side.” Are you right- or left-handed? Depending on your predilection, this can play a major part in the decision as to where to place your easel. Because we paint with only one hand, that side of our body should be turned slightly towards the painting to allow for unimpeded shoulder/arm movement. Do this test: Stand square shouldered and move your dominant hand in front of your body to the opposite side. Feel the tension? This stance should be avoided when painting.

Your head also needs to be centered to the painting so that proper visual perspective can be retained on the flat painting surface: otherwise, objects may end up looking distorted in the final artwork. To facilitate this, you’ll need to stand with your dominant body side near center of the painting and slightly turn your head to look over your shoulder at the painting. This position allows you to look straight ahead at your subject with ease. If you sit while painting, a similar body position should be attained. Sit slightly sideways to the painting surface with your dominant body side nearer the painting. Don’t slump. Sometimes it is helpful to scoot to the edge of the seat. This straightens posture and provides more ease of movement.

While this is the most recommended position in which to paint, it is not always the most convenient. The plein air artist needs to understand the sun’s movement and position their easel accordingly. Things can change quiet a bit in just a few hours, not only on the scenes appearance but also on how the surface and palette are illuminated. Working with both in open shade is the most desirable but not always the easiest to find. If you are able to position your easel so that both are in similar light, even if it is full sunlight, your body stance may need to be compromised.

When confronting the battle of easel and subject, imagine a sword fighter’s stance. The pastel stick is your sword and the surface your opponent. Just like a sword fighter, you’ll have better muscle control and power if your dominant body side is forward. Some days you win, some days you loose. It is all in the fight!


• Richard McKinley on DVD

• Watch art workshops on demand at ArtistsNetwork.TV

• Online seminars for fine artists

• Get a copy of Pastel Pointers, the book!

Watch the video: SAA LIVE - Open Easel - River Scene in Pastel with Paul Pigram (August 2022).